82 - Escape: to or from?

"You're mad to write a radio play,"
"It's got production values I can appreciate,"
"You're a filmmaker, not a playwright,"
"You understand, how many people I had to lie to to make my last film?"
"So what? It got made, didn't it?"
"Well, it got made, but I'm still trying to get it on TV,"
"You wrapped what, 6 months ago? I bet Sandra isn't happy,"
"You understand,"
"Naw, not really, you get people to work, get 'em to work for free even, get 'em to believe in you, you don't deliver the goods and you'll never work with the same crew again, hell, I'd advise leaving the country,"
"You want that?"
"I want you to get airplay, don't distract yourself with this radio nonsense,"
"Alright, I guess there's some things theres no backing out of without consequences,"
"Consider it from the other side of the coin, filmmaking is a huge collaborative endevour and you decided to be director and producer so you got nothing coming, you take the prizes and the piss offs, it's only fair,"
"It's not fair, it's too much responsibility,"
"And lay off the amphetamines, they're making you jittery and your eyes are like pinholes,"
"How did you know?"
"It's safer for everyone concerned if you just assume I know everything,"
"Who are you?"
(sound of giant leathery wings beating the air twice)"Let me ask you one last question, don't answer to me, answer to your own guilty conscience, Will you get your show on the air and forget the radio? Radio belongs to us,"
"what are you going to do?"
"Goodbye, Filmy, you will be watched,"

END