Wanderings. A good traveller is one who is in no hurry to reach any particular destination. Slow travel has the scent of a marketing construction however. Because the longer one takes to arrive, the more one spends. In terms of tourism, slow travel may be just another way to separate the foolish from their money. Still, the idea appeals. So why not do it where you live?
When I was new to Warsaw I could take any route to my destination and see something beautiful and previously unknown to me and the random walk was a game I enjoyed to multiply that newness.
Warsaw is still beautiful even now that I know what lies behind most corners and yet I still take the time to be in no hurry to reach any particular place.
When I catch myself in a hurry, it's an opportunity to remember that ultimately it is death that rushes to meet me. So what's the rush? The past and future only exist when we think about them. Only the present moment is real without our projections.
I've heard stories of people who suddenly relax when they get a terminal diagnosis, in these stories, the relief stems from the fact that the worst they could imagine has now happened. The shoe has dropped, so to speak. They feel unburdened of any necessity to pretend for others. They can live as they choose in the time remaining and no one will begrudge them and even if they do, it won't matter.
It's a sobering thought that some people need such a diagnosis to give themselves permission to live according to themselves.
The degree to which a nervous, unreliable, noncommital, anxiety and terror-prone person (who isn't, to some degree from time to time) could work towards countering these tendencies through wanderings.
Stop & Keep Going. A message so important I put it on a shirt because the state of mind in which I do things is more important than what I do, or where I go, or how I get there.
In my preferred state, I wander.
Wednesday, October 09, 2019
Wednesday, October 02, 2019
Masculine and Feminine Telepathy
In the fiction I read, there are two kinds of telepathy which I often run across. There are others but these two may have something to say about gender.
One kind of telepathy which I cal Masculine Telepathy, is a penetrative telepathy like that of the Scanners (1981) of David Cronenberg movie of the same name. In this form of telepathy, your mind can be forced open and entered and all its contents can be accessed by the telepath. The most extreme forms enable total physical possession of the victim's body.
Whether this forced penetration of the mind and body is accomplished by magic, technology or some other method lies beside my point here. Because there is an alternative form of telepathy I often encounter.
This other form of telepathy is more akin to making a phone call only mind to mind. words, thoughts, images, memories, feelings, experiences, in sum, all the cognitive processes of which a mind is aware, can be selectively shared. If the telepath wants to send a message, the receiver has to be willing. This other form of telepathy which I call Feminine Telepathy extends to creations who cannot read the minds of others, either willingly or otherwise but instead have the power to open their own minds to those around them like human television sets.
The affinity link of Peter F. Hamilton's Edenists is an example of a technological version of this second form of telepathy where those with the affinity gene can selectively share their minds to whatever degree they are willing. Of course in Hamilton's universe there are other ways to join minds and not all of these methods are consensual and kind. Still, given the human imagination for the varieties of telepathy, I hope that should people find some way to make telepathy a science fact that they choose to pursue the second form. Sadly, I think the military would prefer to have the former first.
One kind of telepathy which I cal Masculine Telepathy, is a penetrative telepathy like that of the Scanners (1981) of David Cronenberg movie of the same name. In this form of telepathy, your mind can be forced open and entered and all its contents can be accessed by the telepath. The most extreme forms enable total physical possession of the victim's body.
Whether this forced penetration of the mind and body is accomplished by magic, technology or some other method lies beside my point here. Because there is an alternative form of telepathy I often encounter.
This other form of telepathy is more akin to making a phone call only mind to mind. words, thoughts, images, memories, feelings, experiences, in sum, all the cognitive processes of which a mind is aware, can be selectively shared. If the telepath wants to send a message, the receiver has to be willing. This other form of telepathy which I call Feminine Telepathy extends to creations who cannot read the minds of others, either willingly or otherwise but instead have the power to open their own minds to those around them like human television sets.
The affinity link of Peter F. Hamilton's Edenists is an example of a technological version of this second form of telepathy where those with the affinity gene can selectively share their minds to whatever degree they are willing. Of course in Hamilton's universe there are other ways to join minds and not all of these methods are consensual and kind. Still, given the human imagination for the varieties of telepathy, I hope that should people find some way to make telepathy a science fact that they choose to pursue the second form. Sadly, I think the military would prefer to have the former first.
Tuesday, October 01, 2019
The Man & The Machine
22.09.2019 Warsaw.
In 2007 right around now I started and did not finish a strange story. The consequences of the initial conditions were beyond me and I dropped it. The premise below is interesting and I do not know if I will touch it again. Was I just a coward to not submit more often or do I simply have the sense to not peak too soon and die by overexposure?
Writing rewards the patient fulfillment of concrete tasks and punishes the wistful dreamers.
Yet I should consider whether my submission history is cowardly or prudent. This despite always having the ambition to publish only what I could be proud of and so far, very little has measured up to my taste but recently this is slowly changing.
The following remains a someday/maybe project. Looking at it today, I find it derivative of Doctor Manhattan and my ambitions lean towards brand new sentences with wholly original ideas.
But to be comprehensible the new thing must overlap somewhere with the old thing. This overlap is the extent of what can be absorbed. Sometimes, a work of art cannot be absorbed until society has moved on in the direction of the new thing by which time the author may be dead.
But good artists get themselves out of the way. It's a state of being.
So cryptically, I close with these words. "Do the work, leave the rest to me."
The Man & the Machine. 2007-09-29
Breaking down. That’s what it’s called. A misnomer. It should be called breaking apart. Every molecule in your body suddenly antisocial and aware of its neighbours. The ever present magnetic hum that no amount of refinement has ever removed from the machine.
It’s called ‘The Machine.’ Researchers and scientists from among the best the world has to offer built it. While ordinarily highly creative with titles for their creations. This time, although many ridiculous names were floated in the early days of models 1 through 8, nothing stuck.
It is called the machine. It has one function. It breaks things down then builds them back up, only different, better.
The name of the current volunteer is Russell Yensik. He has already been in and out of the machine 5 times. He prefers to be called Russ or Rusty.
The machine has torn him apart and put him back together many times. But as he waits inside the machine for a sixth time, he wonders who it is who is being torn apart again.
Although careful not to mention it to anyone, he is convinced that since the first time, he has become a forgery of himself and with each successive experiment, he is becoming more and more a copy of a copy. As a test subject, he doesn’t know what the purpose of the experiment is, or even if each disassembly has taken place. Is he a real test subject or part of the control group? At the moment of disassembly, Russ is shocked unconscious. When he wakes up, it is usually in a hospital bed hooked up to so many monitors he feels like a grotesque christmas ornament.
Russ can’t know there is no control group. Russ is the only subject to have ever entered the machine more than once. Every other volunteer in this third phase of the experiment has simply vanished. Every molecule in their bodies shooting off at right angles to each other into the vacuum of space.
Russ is the only one who comes back.
And the scientists can’t figure out why.
“It’s got to be done.”
“It’s murder!” the last word delivered in a hiss.
“Funding’s gone, we can’t just cut him loose, there’s no telling what might happen.”
“We can’t do this!”
“Either he goes or we all go, that’s the word.”
“Jesus.”
“What happened! Dammit man! I order you to say something!”
The nervous operative responds to the command blankly, looking up at the faces of his interrogators without comprehension.
“I…shot him, I think…he was sleeping…I think…he’s not there…he’s gone.”
“He escaped?”
“I mean…he was there…I’m sure…I think?”
They rushed into the room, buried in a pillow still shaped by a head, a bullet hole neatly stamped the fabric of the cover.
Within 24 hours the entire experiment disappeared along with all documents, funding and the machine itself. The scientists involved were sequestered and interrogated. Warned that any mention of the project would result in disappearnces, both of themselves and their families. A single project file in hardcopy was stamped maximum top secret and all other evidence was destroyed.
The machine itself was disassembled. The research made to vanish.
Russ woke slowly from dreams he couldn’t explain, of the machine, of a man with a gun. Confusion. He opened his eyes and for many moments just stared. The familiar ceiling at the project was gone. The ceiling now above him familiar yet at the same time not.
This was his apartment, or had been at least. He had sublet to a friend while he participated in the experiment.
“Aieee!” a muffled whump of someone falling out of bed still struggling in their covers.
“Shit! Gloria? Gloria! It’s me! Russ! Russ!”
Gloria gets over the edge of her panic enough to ask in violent terms and ugly grammar what he’s doing sneaking in to her flat and getting into bed with her?
Only to listen with half an ear to his explanations, staring at him.
Russ follows her gaze and notices that he is fully dressed. As certainly as he was naked in bed a moment ago. As certain as Gloria that he hadn’t been there at all only moments ago.
Russ sits down at the edge of what was once his bed and puts his head in his hands. The voice that sneaks out is weak, confused.
“Glo, what’s happening to me?”
“Mmm, good coffee.”
Russ smiles despite his unease, they both know it’s terrible. Russ and Gloria used to spend a lot of time in this park drinking coffee from a machine an enterprising individual left chained to the snack bar year-round. It was autumn and the snack bar was closed for the winter.
“The coffee’s great,” Russ exaggerated the word, delivered it wrapped in treacle. laughed.
“That sound’s like the old Russ,” she looked down, embarassed for a moment by her reference, however indirect, at their failed relationship three years ago. Russ pretended not to notice, but the spell was broken, his thoughts returning once again to what had happened. He shook his head to clear his thoughts.
“What are you going to do?” asked Gloria.
“Go to the institute and try and get some answers I guess.”
A frustrated Russ returned that evening dazed and alone. When Gloria pelted him with questions his replies were either unintelligible or made no sense.
What she was finally able to get out of him was the following: the building remained but the institute was gone. Having looked up the company that managed the building, he was not too surprised to discover that there was no record of any scientific research having been conducted in the building at all. The paychecks issued to his bank account had also vanished. Without Gloria’s rent money his account would have been empty.
He felt his mind was slipping, he didn’t mention the other details. Fragments, a blur, certain that he remembered being attacked, masked men, a van, a needle. It couldn’t have happened. He was here, in his old apartment. He remembered walking here, having taken a taxi part way then abandoning it in the heavy sludge of rush hour traffic. Walking through the park.
He wanted to tell her she might be in danger, but knew it would sound melodramatic, affected. He dragged his eyes around his old apartment seeing prison bars instead of windows.
“We can’t just leave him alone! It’s too dangerous!”
“You heard the debriefing, they had him, they killed him.”
“They didn’t!”
“He hasn’t any proof, papers, evidence, the ravings of a lunatic, he doesn’t even know our names!”
“Fine, we’ll just watch him for the time being, he could even be trained, a soldier who can’t be killed or captured.”
“Let’s hold fire on that idea for now okay?”
“What for?”
“If he can’t be killed he can’t be trusted.”
“Hm, back burner him then?”
“What else can we do?”
“Appeal to his greed? His lust? Trust me we can control him.”
“You never really understood what the machine did to him.”
“What are you talking about?”
“It doesn’t take things apart, that was entirely a product of his own misunderstanding.”
“So what does it do?”
“Originally? It was just a new kind of MRI machine with greatly improved resolution, nothing unusual was detected, first and second phase trials went ahead smoothly. Third phase trials with human volunteers also went smoothly at first, then he stepped into the machine and every subsequent volunteer disappeared.”
“That’s not what you told the generals.”
“I know, but after the first disappearance, I contacted the police and almost before I put down the phone my entire research project had been appropriated by the government.”
The military scientist heard the bitterness in his unwilling colleagues voice.
“They wouldn’t believe what I told them at first so I had no choice but to change my story.”
“What did you tell them at first?”
“Russ wasn’t changed by the machine, the machine was changed by Russ. Don’t interrupt. However innocent a device it once was, whatever it did to the subsequent volunteers, all military men without a history or a future I might add, could only be guessed at from debriefings with Russ.” The military scientist wanted to urge him on but dared not intrude, his nameless collegue was losing himself in his own thoughts.
“Russ was convinced the machine did more than we told him, at the instant of maximum power, he must have believed with unbridled faith in his fixation. Without satisfactory answers from us…it was like a hard vacuum…of ignorance in his mind, suddenly filled.”
“Filled with what!?” The military scientist couldn’t contain the frustration in his voice.
“Filled with faith.”
“…”
“Every machine using the new resolving appartus we’ve built since has done the same. People disappear. There is an entire complex of physicists living without benefit of sunlight or freedom taking apart our machines trying to decide whether our understanding of the fundamental nature of reality is either seriously flawed or else, as some jokingly suspect, has been changed.”
“Jesus.”
“It may not matter, you see? Either we’re on the brink of a polar shift in the universe or at the edge of a precipice.”
Gloria had forced Russ to stay with her. Her sublet wouldn’t run out for months and Russ did not intend to force her out, he was a gentleman, he would find a place to live. Gloria wouldn’t allow it, he shouldn’t be alone right now. Not with what was going on. Although he slept on the couch after the first night, they settled into a peaceful version of their married life together three years ago. He bought groceries, she did his laundry, she went to work, he didn’t feel ready to go looking for a job yet so he wrote, read, walked in the park. There were no more disturbing double memories of assault and murder. His life settled into something like normalcy.
Except for his parlour trick.
He was holding an apple in his hand, but when she tried to take it her fingers slid right through the solid-looking apple.
“Can you teach me to do that?” She had been plucking up the courage to ask for days, ever since he’d first showed her. But she’d had to overcome a lot of fears and doubts, in any other man, what Russ could do would have frightened her out of her mind. But this was Russ. Her once-upon-a-time husband who used to bring his socks all the way to the laundry hamper only to leave them on the hamper and not in the hamper. This was Russ. Goofy Russ, Boyishly charming Russ, Stupid and selfish Russ, thickheaded Russ. She turned her mind back from where it had drifted.
“Uh, I think so.” Over the weeks they’d become accustomed to the trick. Despite his efforts to keep busy, much of his day was empty. Having accepted that looking outward would not deliver answers, he’d begun looking inward, trying to discover what he could do. He rested her hand on his and placed the apple on her palm and did the trick.
“Did you feel how it kind of slipped in a funny angle? Think you can find it again?”
Gloria nodded and put the apple in her other hand and felt for the odd slide in geometry she had just felt.
The apple slipped through her hand and struck the wood floor with a soft hard thump.
“Wow,” she felt giddy, it wasn’t quite what she’d had in mind but it was a step in the right direction.
“You gotta twist so that your hand stays solid and only the apple goes the other way.”
“Russ…If I twisted my whole body like that, would I slide right through the floor?”
Russ regretted showing her how easy it was. He was afraid that she wouldn’t just fall through the floor but through the one beneath it, all the way down to the center of the planet. Until he’d perfected the trick himself, he’d been terrified when going to sleep. Convinced he’d fall through the couch in the middle of the night and wake up screaming in lava.
“Uh, let’s not and say we did? You might be too successful.”
Gloria suddenly had a vision of lava.
“Uh, yeah, I’ll–”
In 2007 right around now I started and did not finish a strange story. The consequences of the initial conditions were beyond me and I dropped it. The premise below is interesting and I do not know if I will touch it again. Was I just a coward to not submit more often or do I simply have the sense to not peak too soon and die by overexposure?
Writing rewards the patient fulfillment of concrete tasks and punishes the wistful dreamers.
Yet I should consider whether my submission history is cowardly or prudent. This despite always having the ambition to publish only what I could be proud of and so far, very little has measured up to my taste but recently this is slowly changing.
The following remains a someday/maybe project. Looking at it today, I find it derivative of Doctor Manhattan and my ambitions lean towards brand new sentences with wholly original ideas.
But to be comprehensible the new thing must overlap somewhere with the old thing. This overlap is the extent of what can be absorbed. Sometimes, a work of art cannot be absorbed until society has moved on in the direction of the new thing by which time the author may be dead.
But good artists get themselves out of the way. It's a state of being.
So cryptically, I close with these words. "Do the work, leave the rest to me."
The Man & the Machine. 2007-09-29
Breaking down. That’s what it’s called. A misnomer. It should be called breaking apart. Every molecule in your body suddenly antisocial and aware of its neighbours. The ever present magnetic hum that no amount of refinement has ever removed from the machine.
It’s called ‘The Machine.’ Researchers and scientists from among the best the world has to offer built it. While ordinarily highly creative with titles for their creations. This time, although many ridiculous names were floated in the early days of models 1 through 8, nothing stuck.
It is called the machine. It has one function. It breaks things down then builds them back up, only different, better.
The name of the current volunteer is Russell Yensik. He has already been in and out of the machine 5 times. He prefers to be called Russ or Rusty.
The machine has torn him apart and put him back together many times. But as he waits inside the machine for a sixth time, he wonders who it is who is being torn apart again.
Although careful not to mention it to anyone, he is convinced that since the first time, he has become a forgery of himself and with each successive experiment, he is becoming more and more a copy of a copy. As a test subject, he doesn’t know what the purpose of the experiment is, or even if each disassembly has taken place. Is he a real test subject or part of the control group? At the moment of disassembly, Russ is shocked unconscious. When he wakes up, it is usually in a hospital bed hooked up to so many monitors he feels like a grotesque christmas ornament.
Russ can’t know there is no control group. Russ is the only subject to have ever entered the machine more than once. Every other volunteer in this third phase of the experiment has simply vanished. Every molecule in their bodies shooting off at right angles to each other into the vacuum of space.
Russ is the only one who comes back.
And the scientists can’t figure out why.
“It’s got to be done.”
“It’s murder!” the last word delivered in a hiss.
“Funding’s gone, we can’t just cut him loose, there’s no telling what might happen.”
“We can’t do this!”
“Either he goes or we all go, that’s the word.”
“Jesus.”
“What happened! Dammit man! I order you to say something!”
The nervous operative responds to the command blankly, looking up at the faces of his interrogators without comprehension.
“I…shot him, I think…he was sleeping…I think…he’s not there…he’s gone.”
“He escaped?”
“I mean…he was there…I’m sure…I think?”
They rushed into the room, buried in a pillow still shaped by a head, a bullet hole neatly stamped the fabric of the cover.
Within 24 hours the entire experiment disappeared along with all documents, funding and the machine itself. The scientists involved were sequestered and interrogated. Warned that any mention of the project would result in disappearnces, both of themselves and their families. A single project file in hardcopy was stamped maximum top secret and all other evidence was destroyed.
The machine itself was disassembled. The research made to vanish.
Russ woke slowly from dreams he couldn’t explain, of the machine, of a man with a gun. Confusion. He opened his eyes and for many moments just stared. The familiar ceiling at the project was gone. The ceiling now above him familiar yet at the same time not.
This was his apartment, or had been at least. He had sublet to a friend while he participated in the experiment.
“Aieee!” a muffled whump of someone falling out of bed still struggling in their covers.
“Shit! Gloria? Gloria! It’s me! Russ! Russ!”
Gloria gets over the edge of her panic enough to ask in violent terms and ugly grammar what he’s doing sneaking in to her flat and getting into bed with her?
Only to listen with half an ear to his explanations, staring at him.
Russ follows her gaze and notices that he is fully dressed. As certainly as he was naked in bed a moment ago. As certain as Gloria that he hadn’t been there at all only moments ago.
Russ sits down at the edge of what was once his bed and puts his head in his hands. The voice that sneaks out is weak, confused.
“Glo, what’s happening to me?”
“Mmm, good coffee.”
Russ smiles despite his unease, they both know it’s terrible. Russ and Gloria used to spend a lot of time in this park drinking coffee from a machine an enterprising individual left chained to the snack bar year-round. It was autumn and the snack bar was closed for the winter.
“The coffee’s great,” Russ exaggerated the word, delivered it wrapped in treacle. laughed.
“That sound’s like the old Russ,” she looked down, embarassed for a moment by her reference, however indirect, at their failed relationship three years ago. Russ pretended not to notice, but the spell was broken, his thoughts returning once again to what had happened. He shook his head to clear his thoughts.
“What are you going to do?” asked Gloria.
“Go to the institute and try and get some answers I guess.”
A frustrated Russ returned that evening dazed and alone. When Gloria pelted him with questions his replies were either unintelligible or made no sense.
What she was finally able to get out of him was the following: the building remained but the institute was gone. Having looked up the company that managed the building, he was not too surprised to discover that there was no record of any scientific research having been conducted in the building at all. The paychecks issued to his bank account had also vanished. Without Gloria’s rent money his account would have been empty.
He felt his mind was slipping, he didn’t mention the other details. Fragments, a blur, certain that he remembered being attacked, masked men, a van, a needle. It couldn’t have happened. He was here, in his old apartment. He remembered walking here, having taken a taxi part way then abandoning it in the heavy sludge of rush hour traffic. Walking through the park.
He wanted to tell her she might be in danger, but knew it would sound melodramatic, affected. He dragged his eyes around his old apartment seeing prison bars instead of windows.
“We can’t just leave him alone! It’s too dangerous!”
“You heard the debriefing, they had him, they killed him.”
“They didn’t!”
“He hasn’t any proof, papers, evidence, the ravings of a lunatic, he doesn’t even know our names!”
“Fine, we’ll just watch him for the time being, he could even be trained, a soldier who can’t be killed or captured.”
“Let’s hold fire on that idea for now okay?”
“What for?”
“If he can’t be killed he can’t be trusted.”
“Hm, back burner him then?”
“What else can we do?”
“Appeal to his greed? His lust? Trust me we can control him.”
“You never really understood what the machine did to him.”
“What are you talking about?”
“It doesn’t take things apart, that was entirely a product of his own misunderstanding.”
“So what does it do?”
“Originally? It was just a new kind of MRI machine with greatly improved resolution, nothing unusual was detected, first and second phase trials went ahead smoothly. Third phase trials with human volunteers also went smoothly at first, then he stepped into the machine and every subsequent volunteer disappeared.”
“That’s not what you told the generals.”
“I know, but after the first disappearance, I contacted the police and almost before I put down the phone my entire research project had been appropriated by the government.”
The military scientist heard the bitterness in his unwilling colleagues voice.
“They wouldn’t believe what I told them at first so I had no choice but to change my story.”
“What did you tell them at first?”
“Russ wasn’t changed by the machine, the machine was changed by Russ. Don’t interrupt. However innocent a device it once was, whatever it did to the subsequent volunteers, all military men without a history or a future I might add, could only be guessed at from debriefings with Russ.” The military scientist wanted to urge him on but dared not intrude, his nameless collegue was losing himself in his own thoughts.
“Russ was convinced the machine did more than we told him, at the instant of maximum power, he must have believed with unbridled faith in his fixation. Without satisfactory answers from us…it was like a hard vacuum…of ignorance in his mind, suddenly filled.”
“Filled with what!?” The military scientist couldn’t contain the frustration in his voice.
“Filled with faith.”
“…”
“Every machine using the new resolving appartus we’ve built since has done the same. People disappear. There is an entire complex of physicists living without benefit of sunlight or freedom taking apart our machines trying to decide whether our understanding of the fundamental nature of reality is either seriously flawed or else, as some jokingly suspect, has been changed.”
“Jesus.”
“It may not matter, you see? Either we’re on the brink of a polar shift in the universe or at the edge of a precipice.”
Gloria had forced Russ to stay with her. Her sublet wouldn’t run out for months and Russ did not intend to force her out, he was a gentleman, he would find a place to live. Gloria wouldn’t allow it, he shouldn’t be alone right now. Not with what was going on. Although he slept on the couch after the first night, they settled into a peaceful version of their married life together three years ago. He bought groceries, she did his laundry, she went to work, he didn’t feel ready to go looking for a job yet so he wrote, read, walked in the park. There were no more disturbing double memories of assault and murder. His life settled into something like normalcy.
Except for his parlour trick.
He was holding an apple in his hand, but when she tried to take it her fingers slid right through the solid-looking apple.
“Can you teach me to do that?” She had been plucking up the courage to ask for days, ever since he’d first showed her. But she’d had to overcome a lot of fears and doubts, in any other man, what Russ could do would have frightened her out of her mind. But this was Russ. Her once-upon-a-time husband who used to bring his socks all the way to the laundry hamper only to leave them on the hamper and not in the hamper. This was Russ. Goofy Russ, Boyishly charming Russ, Stupid and selfish Russ, thickheaded Russ. She turned her mind back from where it had drifted.
“Uh, I think so.” Over the weeks they’d become accustomed to the trick. Despite his efforts to keep busy, much of his day was empty. Having accepted that looking outward would not deliver answers, he’d begun looking inward, trying to discover what he could do. He rested her hand on his and placed the apple on her palm and did the trick.
“Did you feel how it kind of slipped in a funny angle? Think you can find it again?”
Gloria nodded and put the apple in her other hand and felt for the odd slide in geometry she had just felt.
The apple slipped through her hand and struck the wood floor with a soft hard thump.
“Wow,” she felt giddy, it wasn’t quite what she’d had in mind but it was a step in the right direction.
“You gotta twist so that your hand stays solid and only the apple goes the other way.”
“Russ…If I twisted my whole body like that, would I slide right through the floor?”
Russ regretted showing her how easy it was. He was afraid that she wouldn’t just fall through the floor but through the one beneath it, all the way down to the center of the planet. Until he’d perfected the trick himself, he’d been terrified when going to sleep. Convinced he’d fall through the couch in the middle of the night and wake up screaming in lava.
“Uh, let’s not and say we did? You might be too successful.”
Gloria suddenly had a vision of lava.
“Uh, yeah, I’ll–”
Sunday, September 22, 2019
Leonardo Da Vinci and The Last Supper.
Leonardo da Vinci, or so the story goes, painted The Last Supper with models. He found a beautiful young boy to use as the model for Jesus, he found models for all the disciples but he couldn't find one for Judas.
Many years passed, he found a man with all the marks of mean living on his face, greed, hate, vice, meanness in every line. He asked the man to be his model, the man accepted readily.
Only after Leonardo had finished The Last Supper did the man confess his secret, "Leonardo, don't you recognize me? It is I, the boy who modeled for your Jesus." Leonardo was stunned, but once he looked for the signs, they were there, beneath the wasted life, this was the same boy, aged by vice and meanness beyond what a few intervening years could account for.
None of the above is a true account and yet, this story stuck with me. In the mind's churning, some stories return to the surface with greater regularity. This is one of them.
A moral interpretation and a longer version of the story can be found here:
https://www.cjpwisdomandlife.com/davinci-last-supper-judas-jesus/
There are variations of the story but a casual internet search reveals none wich are older than the 20th century.
https://www.snopes.com/fact-check/the-last-supper/
[pasted from Snopes]None of the above is a true account and yet, this story stuck with me. In the mind's churning, some stories return to the surface with greater regularity. This is one of them.
A moral interpretation and a longer version of the story can be found here:
https://www.cjpwisdomandlife.com/davinci-last-supper-judas-jesus/
There are variations of the story but a casual internet search reveals none wich are older than the 20th century.
https://www.snopes.com/fact-check/the-last-supper/
Claim: The same person posed for the figures of both Judas and Jesus in Leonardo da Vinci’s painting of “The Last Supper.”
Status: False.
Examples: [Collected on the Internet, 1999]
A story is told that Leonardo da Vinci painted “The Lord’s Supper” when living in Milan. Before he could paint the thirteen figures, it was necessary to find men who could serve as models. Each model had to have a face that expressed ![]() One Sunday, as da Vinci was at the cathedral for mass, he saw a young man in the choir who looked like da Vinci’s idea of how Jesus must have looked. He had the features of love, tenderness, caring, innocence, compassion, and kindness. Arrangements were made for the young man, Pietri Bandinelli, to sit as the model for the Lord. Years went by, and the painting was still not complete.
Leonardo worked feverishly for days. But as the work went on, he noticed certain changes taking place in the prisoner. His face seemed filled with tension, and his bloodshot eyes were filled with horror as he gaped at the likeness of himself painted on the canvas. One day, Leonardo sensed the man’s uneasiness so greatly that he stopped painting and asked,
“What seems to trouble you so much?” The man buried his face in his hands and was convulsed with sobs. After a long time, he raised his head and inquired,
“Don’t you remember me? Years ago I was your model for the Lord, Jesus.” This miserable man had turned his back on Christ and turned his life over to sin and the world sucked him down to its lowest levels of degradation. He no longer loved the things he had loved before. And those things that he at one time hated and despised, now he loved. Where once there was love, now there was misery and hate; where once there was hope, now there was despair; where once there was light, now there was darkness.
When Leonardo da Vinci was painting his masterpiece, The Last Supper, he selected as the person to sit for the character of the Christ a young man, Pietri Bandinelli by name, connected with the Milan Cathedral as chorister. Years passed before the great picture was completed, and when one character only
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Origins: We know so little about the circumstances surrounding da Vinci’s creation of “The Last Supper” that an account offering this much detail is immediately suspect. Certainly da Vinci didn’t take twenty-five years, or even ten years, to complete his work, as claimed in these accounts. Documentary evidence indicates
he began “The Last Supper” in 1495 and was finished with it by 1498. (At the outside, Da Vinci would had to have completed his work by the end of 1499; that year he fled Milan ahead of the invading French and didn’t return to the city until 1506.) Other details presented here are woefully wrong as well: There are no records of whom Leonardo used as models for the figures in “The Last Supper,” but he was painting on a wall, undoubtedly from sketches, so in no case would he have had models sitting in a “studio” for “days” while he “painted on canvas.”
This tale is simply a Christian religious allegory warning of the inner spiritual decay (as exemplified by an outer physical decay) that awaits those who spurn Jesus Christ. As with many other examples of glurge, the writer has housed his message within a historical framework to lend it additional impact, thereby achieving exactly the opposite of what he intended: readers now focus on the literal truth of the allegory’s details rather than its message.
The prose version of this glurge bears a strong similarity to the following bit of verse (of unknown origin):
Two pictures hung on the dingy wall
Of a grand old Florentine hall —
One of a child of beauty rare,
With a cherub face and golden hair;
The lovely look of whose radiant eyes
Filled the soul with thoughts of Paradise.
With a cherub face and golden hair;
The lovely look of whose radiant eyes
Filled the soul with thoughts of Paradise.
The other was a visage vile
Marked with the lines of lust and guile,
A loathsome being, whose features fell
Brought to the soul weird thoughts of hell.
Marked with the lines of lust and guile,
A loathsome being, whose features fell
Brought to the soul weird thoughts of hell.
Side by side in their frames of gold,
Dingy and dusty and cracked and old,
This is the solemn tale they told:
Dingy and dusty and cracked and old,
This is the solemn tale they told:
A youthful painter found one day,
In the streets of Rome, a child at play,
And, moved by the beauty that it bore,
The heavenly look that its features wore,
On a canvas, radiant and grand,
He painted its face with a master hand.
In the streets of Rome, a child at play,
And, moved by the beauty that it bore,
The heavenly look that its features wore,
On a canvas, radiant and grand,
He painted its face with a master hand.
Year after year on his wall it hung;
‘Twas ever joyful and always young —
Driving away all thoughts of gloom
While the painter toiled in his dingy room.
‘Twas ever joyful and always young —
Driving away all thoughts of gloom
While the painter toiled in his dingy room.
Like an angel of light it met his gaze,
Bringing him dreams of his boyhood days,
Filling his soul with a sense of praise.
Bringing him dreams of his boyhood days,
Filling his soul with a sense of praise.
His raven ringlets grew thin and gray,
His young ambition all passed away;
Yet he looked for years in many a place,
To find a contrast to that sweet face.
His young ambition all passed away;
Yet he looked for years in many a place,
To find a contrast to that sweet face.
Through haunts of vice in the night he stayed
To find some ruin that crime had made.
At last in a prison cell he caught
A glimpse of the hideous fiend he sought.
To find some ruin that crime had made.
At last in a prison cell he caught
A glimpse of the hideous fiend he sought.
On a canvas weird and wild but grand,
He painted the face with a master hand.
He painted the face with a master hand.
His task was done; ’twas a work sublime —
And angel of joy and a fiend of crime —
A lesson of life from the wrecks of time.
And angel of joy and a fiend of crime —
A lesson of life from the wrecks of time.
O Crime: with ruin thy road is strewn;
The brightest beauty the world has known
Thy power has wasted, till in the mind
No trace of its presence is left behind.
The brightest beauty the world has known
Thy power has wasted, till in the mind
No trace of its presence is left behind.
The loathsome wretch in the dungeon low,
With a face of a fiend and a look of woe,
Ruined by revels of crime and sin,
A pitiful wreck of what might have been,
Hated and shunned, and without a home,
Was the child that had played in the streets of Rome.
With a face of a fiend and a look of woe,
Ruined by revels of crime and sin,
A pitiful wreck of what might have been,
Hated and shunned, and without a home,
Was the child that had played in the streets of Rome.
We also found a sighting of the tale (minus claims of the painting being da Vinci’s “Last Supper”) in a 1979 collection of tidbits and tales meant to be used in sermons:
A painter once wanted a picture of innocence. He found and painted a little child kneeling beside his mother at prayer. The palms of his hands were reverently folded, mild blue eyes upturned with an expression of devotion and peace. The painter prized this portrait of young Rupert above all else and hung it prominently in his study, calling it “Innocence.”
Years later when the artist was old, the portrait was still there. He had often thought of painting a counterpart — the picture of guilt. One day he purposely visited a neighboring prison. On the damp floor of the cell lay a wretched man, named Rupert, heavily ironed. His body was horribly wasted, his eyes hollow, vice sprouted all over his face. The old painter succeeded admirably, and the portraits hung side by side — “Innocence” and “Guilt.”
Last updated: 13 January 2008
Wednesday, September 18, 2019
Monday, September 16, 2019
The King's Standard
At eleven in the evening, the King of the world decided to call a meeting. Everyone was ordered to come to the castle and wait on his majesty's pleasure. The governments of the world each sent a delegation of representatives including their top executives. Whether these happened to be prime ministers, presidents, dukes, or dictators did not matter, all were subservient to his majesty, naturally.
"I have an announcement," said the King of the World. His councillors and advisors had not been warned of this developement and were quietly discussing options with the Generals.
"I banish all months, fish and people with an S in their names from the country for ever."
The room might have erupted in roars of opposition but the King's own name began with the letter S and had several more sprinkled throughout like so many caraway seeds on a moist steamed bun.
"You bore me, you see," said the King with a tone of finality when everyone had been bracing themselves for another of his long winded speeches.
Then he could have leapt from the throne on which he had sat for so long and for which, in return, such little gratitude had been given and he could have run screaming or maniacally laughing from the throne room. Or, he could have produced a sword seemingly out of nowhere which he had cunningly concealed in his robes and slashed a chandelier rope and risen up out of the throne room to a waiting window like some swashbuckling hero of the silver screen's golden age.
"Just kidding," he said, "I've decided to declare War against our enemies neighbouring our southern border.
Everyone expelled a sigh of relief. The Generals put down their phones, the advisors sheathed their pens, the councillors returned emergency briefs to emergency briefcases.
Contentment reigned.
"I have an announcement," said the King of the World. His councillors and advisors had not been warned of this developement and were quietly discussing options with the Generals.
"I banish all months, fish and people with an S in their names from the country for ever."
The room might have erupted in roars of opposition but the King's own name began with the letter S and had several more sprinkled throughout like so many caraway seeds on a moist steamed bun.
"You bore me, you see," said the King with a tone of finality when everyone had been bracing themselves for another of his long winded speeches.
Then he could have leapt from the throne on which he had sat for so long and for which, in return, such little gratitude had been given and he could have run screaming or maniacally laughing from the throne room. Or, he could have produced a sword seemingly out of nowhere which he had cunningly concealed in his robes and slashed a chandelier rope and risen up out of the throne room to a waiting window like some swashbuckling hero of the silver screen's golden age.
"Just kidding," he said, "I've decided to declare War against our enemies neighbouring our southern border.
Everyone expelled a sigh of relief. The Generals put down their phones, the advisors sheathed their pens, the councillors returned emergency briefs to emergency briefcases.
Contentment reigned.
Sunday, September 15, 2019
49 The Murder Book
Homicide Detective Ellison had been assigned to the cold cases as a sop. Close to retirement and having clocked 40 odd years in the force, it was just what he was looking for, the cases that wouldn't go away. The bad guys left in the cold.
Some were cases he himself had worked on 20 years ago. But eventally he came to the one that would prove his last.
"I'd leave that one alone, it's bad mojo," said his new-old partner, Detective Jacek (Jack) Tedesky, from a blue family of Polish extraction, his father and grandfather had been officers. He was retiring in a week, against his will but the government policy did not make exceptions. 67 and they forced you out. A shame really.
"What's up Tedesky? Never knew you to shy from a murder book," He was referring to the volumes of evidence and documentation that Homicide detectives used for keeping everything to do with each case organized.
"I never spent enough time with my kids, you know? Now they don't want to talk to me."
"Yeah, I get it, pass me that book will you?"
"I wish I had though, you know? I wanted to, but the cases kept coming and we needed the cash for Marjorie's treatments."
"Those damned co-pays."
"Those damned co-pays, exactly, you'd think serving and protecting putting your life on the line every day and night would net us some better dental coverage."
"We should go have a word with the roommate, she says in the statement here that she was visiting her parents but I got a receipt from a gas station in town with her name on it."
"Let's check out her story, I tell you, why did I do all those things I did, for my kids, if now they don't wanna talk to me?"
"Kids are funny Jack, You do your best or you don't, they forgive you or they don't."
"What's that supposed to mean, you saying I didn't do my best?"
"You think my kids talk to me?"
"You were on the phone with them this afternoon."
"Yeah but they only talk about the good stuff, come on Jack, we were old to this game when it was new, there ain't no human life that's all ups with no downs, I mean what kind of a ride is that? Sure ain't no rollercoaster I'll get on."
"Alright Frank," Jack said, he seemed to shrink in his chair, suddenly old, he'd be retired in a week, what was he going to do? All he knew about living was what he did and when he couldn't do that, what?"
"Still," said Frank.
"Yeah?"
"Let's do this book and then, let's get a fishing boat, or open a cafe or something, or maybe we do nothing but try and repair the damage to our relationships Jack, it's never too late until you're late and great."
"Thanks Frank, let's go check out her story, maybe swing past the gas station first, I'd like to ask them a few questions."
Frank locked up the murder book in his desk drawer.
"I want a burger first, you want a burger?"
"Do I want one or can I have one?"
"Man..."
"I never spent enough time with my kids, you know? Now they don't want to talk to me."
"Yeah, I get it, pass me that book will you?"
"I wish I had though, you know? I wanted to, but the cases kept coming and we needed the cash for Marjorie's treatments."
"Those damned co-pays."
"Those damned co-pays, exactly, you'd think serving and protecting putting your life on the line every day and night would net us some better dental coverage."
"We should go have a word with the roommate, she says in the statement here that she was visiting her parents but I got a receipt from a gas station in town with her name on it."
"Let's check out her story, I tell you, why did I do all those things I did, for my kids, if now they don't wanna talk to me?"
"Kids are funny Jack, You do your best or you don't, they forgive you or they don't."
"What's that supposed to mean, you saying I didn't do my best?"
"You think my kids talk to me?"
"You were on the phone with them this afternoon."
"Yeah but they only talk about the good stuff, come on Jack, we were old to this game when it was new, there ain't no human life that's all ups with no downs, I mean what kind of a ride is that? Sure ain't no rollercoaster I'll get on."
"Alright Frank," Jack said, he seemed to shrink in his chair, suddenly old, he'd be retired in a week, what was he going to do? All he knew about living was what he did and when he couldn't do that, what?"
"Still," said Frank.
"Yeah?"
"Let's do this book and then, let's get a fishing boat, or open a cafe or something, or maybe we do nothing but try and repair the damage to our relationships Jack, it's never too late until you're late and great."
"Thanks Frank, let's go check out her story, maybe swing past the gas station first, I'd like to ask them a few questions."
Frank locked up the murder book in his desk drawer.
"I want a burger first, you want a burger?"
"Do I want one or can I have one?"
"Man..."
Saturday, September 14, 2019
Fictional world idea: Reality is a leaderboard
You are judged on a daily basis. Each night that you sleep you move up or down, you always wake up in a new world. very similar but the difference depends on your actions on that day and each and every day.
There is no judge. There is only judgement. This is a stochastic process like evolution. Time is an illusion. There is duration without progression. The illusion of progression is due to the judgement moving you up or down on the leaderboards of reality.
Every day is another chance to get it right.
There is no judge. There is only judgement. This is a stochastic process like evolution. Time is an illusion. There is duration without progression. The illusion of progression is due to the judgement moving you up or down on the leaderboards of reality.
Every day is another chance to get it right.
Friday, September 13, 2019
Wronging: How to write copious odious quantities of words
Don't research. Don't have a plan, just pound those keys hard and fast and make a mess. Ramble, digress, avoid: index cards; any attempt at logical structure; leading topic sentences; authoritative sources; and great books by great writers.
Leave work undone. Start new work often. Keep no records, refuse to track your progress. Establish no milestones and be fixated monomaniacaly on goals. Pay no attention to process and clench your mind mightily. Wish for outcomes and do not do anything concrete to make them a reality. Use words of negation like punctuation. Make eloquent excuses, put the blame on everybody from your parents to your best friend's best friend. Tolerate no compromises, be unforgiving and angry and frustrated.
Hang on in unquiet desperation sitting in quiet cafes in the hours of the early afternoon once the office lunch crowd has gone back to work.
Make housecalls where you berate Prince[ess] Charming for not plucking you from this nightmare of your own creation.
In the context of writing or wronging, sometimes trying to imagine the worst way to write helps us to find the insight that lets us find the gaps in our process and tilt the balance of our write-ness and wrongness towards righteousness.
Hopefully.
Leave work undone. Start new work often. Keep no records, refuse to track your progress. Establish no milestones and be fixated monomaniacaly on goals. Pay no attention to process and clench your mind mightily. Wish for outcomes and do not do anything concrete to make them a reality. Use words of negation like punctuation. Make eloquent excuses, put the blame on everybody from your parents to your best friend's best friend. Tolerate no compromises, be unforgiving and angry and frustrated.
Hang on in unquiet desperation sitting in quiet cafes in the hours of the early afternoon once the office lunch crowd has gone back to work.
Make housecalls where you berate Prince[ess] Charming for not plucking you from this nightmare of your own creation.
"Why, then, 'tis none to you, for there is nothing either good or bad, but thinking makes it so. To me it is a prison. Well, then it isn't one to you, since nothing is really good or bad in itself—it's all what a person thinks about it. And to me, Denmark is a prison."What Shakespeare is explaining so beautifully is that our thinking is the root cause of our problems. Bad things happen to us sometimes, there is no changing that, what makes these bad things into a problem is when we decide we don't want to take responsibility for our lives anymore and want someone to comfort us and tell us it is going to be okay if we can just get back on our feet and make another attempt which would be well and fine if we then proceeded with the part where we get up and get on with it. Wanting comfort is human, wanting comfort to the exclusion of all else smacks of addiction.
Shakespeare, Hamlet, Act 2, Scene 2.
In the context of writing or wronging, sometimes trying to imagine the worst way to write helps us to find the insight that lets us find the gaps in our process and tilt the balance of our write-ness and wrongness towards righteousness.
Hopefully.
Tuesday, September 10, 2019
Simple is not easy: two questions and two attitudes for writing anything
The two questions we need to ask ourselves when writing are simple enough. If you can answer them to your satisfaction you may have also done the same for your audience. No opinion exists in a vacuum.
The two attitudes we need to demonstrate in ourselves when writing are also simple enough however simple does not mean easy.
So what?
Who cares?
Vulnerability.
Receptivity.
The two attitudes we need to demonstrate in ourselves when writing are also simple enough however simple does not mean easy.
So what?
Who cares?
Vulnerability.
Receptivity.
Monday, September 09, 2019
Brake for Stan
Written October 28, 2002, four years before this blog began about avant garde filmmaker Stan Brakhage.
In the poem I try to convey an image from a documentary about the filmmaker that stuck with me. A clip of sunlight piercing the trees at sunset seen through the open rear window of a speeding car. Meanwhile, a friend of the filmmaker relates in voice over how Stan enjoyed 'mickey-mousing' in time, which in the context of the documentary had something to do with images that could jump from the future to the past and back again. From men in space to dinosaurs on earth.
According to sources, Mickey mousing has to do with the total synchronization of image and sound first highlighted in the animated short Steamboat Willie (1928). What Stan's friend meant exactly by his comment is tantalizingly just beyond my present comprehension.
In interviews, Brakhage often returns to the question of how the untrained eye must see the world in terms of unknown, hence uncategorized, experiences, how a simple lawn must radiate with colours before the eye learns to interpret all the variations as green. From other sources, once there is a schema, the eye often never sees the object again, which accounts for the inability of most people to identify defining details of their own national currencies. From Dan Norman, author of the Design of Everyday Things, we have the example of the american penny. Is Lincoln facing left or right? Where is the year of minting? Most are unsure when presented with a set of 16 alternatives and of those who are sure, not all get it right more than chance would predict.
I felt sad for Stan Brakhage, I can't articulate why. I never watched the documentary again and my memories are corrupted reconstructions. But the poem exists.
That's enough backstory.
BRAKE FOR STAN.
Mickey Mousing in time;
to the future and
the primeval forests;
sunlight strobing
past us through
the curtain of trees;
masking gracefully
the veils, the holes,
the whole veil unto
which these souls
of mass and quantity
have willed themselves
projected.
In the poem I try to convey an image from a documentary about the filmmaker that stuck with me. A clip of sunlight piercing the trees at sunset seen through the open rear window of a speeding car. Meanwhile, a friend of the filmmaker relates in voice over how Stan enjoyed 'mickey-mousing' in time, which in the context of the documentary had something to do with images that could jump from the future to the past and back again. From men in space to dinosaurs on earth.
According to sources, Mickey mousing has to do with the total synchronization of image and sound first highlighted in the animated short Steamboat Willie (1928). What Stan's friend meant exactly by his comment is tantalizingly just beyond my present comprehension.
In interviews, Brakhage often returns to the question of how the untrained eye must see the world in terms of unknown, hence uncategorized, experiences, how a simple lawn must radiate with colours before the eye learns to interpret all the variations as green. From other sources, once there is a schema, the eye often never sees the object again, which accounts for the inability of most people to identify defining details of their own national currencies. From Dan Norman, author of the Design of Everyday Things, we have the example of the american penny. Is Lincoln facing left or right? Where is the year of minting? Most are unsure when presented with a set of 16 alternatives and of those who are sure, not all get it right more than chance would predict.
I felt sad for Stan Brakhage, I can't articulate why. I never watched the documentary again and my memories are corrupted reconstructions. But the poem exists.
That's enough backstory.
BRAKE FOR STAN.
Mickey Mousing in time;
to the future and
the primeval forests;
sunlight strobing
past us through
the curtain of trees;
masking gracefully
the veils, the holes,
the whole veil unto
which these souls
of mass and quantity
have willed themselves
projected.
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